INTERVIEW CREATE MAGAZINE
Can you describe the core themes and emotions you explore in your current body of work?
I embrace the maritime art theme. It ‘s a classic art theme, just like nudes and landscapes. I do hope you see more in my work than ‘just ships’.
The forms I use are marine shaped. They arise from my fantasy, I make them up from my experience, my knowledge about ships and my childhood memories.
I believe every good maritime artwork is about life, about adventure, about loss and desire.
How does your creative process unfold from concept to completion?
With my painting I start completely abstract, no fear. Let my hands do the thinking. I am focusing on volume, rhythm and colours. It is the 20+ experience I count on. After I look at the abstract colors, the structures and the movement, I let my imagination flow. I believe that I can explore so much more by letting the paint flow, letting the ideas come, and be patient. The more experience you have as an artist, the more patience you have. My confidence grows through the years and I am just loving it!
With my sculptures it is a little different. I start with clay or styrofoam so I am forced to choose the shape early in the process. Just like my paintings, I look for the essence which I can find in the abstraction level . I search for ’ a sense of ship’.
What inspires you most outside of the visual arts, and how does it influence your work?
Art is about communication.
Every person follows his own path, and the beauty lies when there is a moment of connection with another human being. I love people and I love to have conversations about almost anything. Art might work like that. Look, everyone wants to be seen. And if you succeed in making a connection with someone, a conversation, listening to music, sitting with family, that is it.
I have a deep desire to connect, to show my colours to another. Does it resonate?
How do you navigate the balance between personal expression and the commercial aspects of your career?
I don't. I just go headfirst into my art. I believe that is the only way.
There is no balance. For me there is no way I can meander through life and arts and I come to something good. The level of art is too high, globally. As simple as that.
If you want to connect, you just have to go. Unapologetically.
This is how it works for me. Artistically and commercially.
What message or feeling do you hope viewers take away from experiencing your art?
Good art shows the world in another light.
I love it when people; say, ‘I visited the harbour, and I saw your paintings!’